Jaime Hernandez: Madonna and Child (2008 commission)
(via thebristolboard)
CAR CRASH! Romance comics have plenty of drama, action and thrills… when they’re by Kirby! This panel is from the lead story of Young Romance #10 (MAR-APR 1949), with the unlikely title, “This Man I Loved Was a Mama’s Boy!”
GROTH: There’s no dearth of writers. You can’t throw a fucking rock without hitting a comics critic.
SPURGEON: Are you happy with the level of discourse? Has the writing improved across the board?
GROTH: There are some good writers about comics. Probably proportionally… I mean, proportionally we were doing pretty well in The Comics Journal. I don’t know what you think.
SPURGEON: I never read it. [laughter]
GROTH: Didn’t you read it when you copy-edited it?
SPURGEON: No, not really. I think it’s fairly obvious when you read those issues I wasn’t reading it when I copy-edited it.
GROTH: Is this the current policy at The Comics Reporter?
SPURGEON: It’s worse, because I’m pretty much the only writer.
GROTH: You don’t read that, either.
SPURGEON: I prefer it that way.
Tom Savini sighting! Local restaurant - sat across from our table. I could overhear him talking about Spider-Man 2. Something about the scene with the subway train. He was acting it out a little and making his friends laugh. It was definitely surreal, haha. He looked super sharp. The whole time I was sitting there I kept thinking of Dawn of The Dead. Like he was going to get up out of his seat and go wild. Pittsburgh!
Golden year. 2009, Fumetto. Left to right: Frank Santoro, Lauren Weinstein, Dan Nadel, C.F., Yuichi Yokoyama